A century of classic vampire cinema―in posters, stills and artwork―from Murnau to True Blood and beyond
This
visual feast celebrates classic vampire cinema―mainstream and
niche―through the many colorful ways in which the key films have been
marketed and consumed.
F.W. Murnau’s haunting film Nosferatu had its premiere in Berlin in March 1922. Bram Stoker’s widow,
Florence, tried hard to sue the production company for breach of
copyright but had to settle in the end for a court order to destroy all
prints and negatives. The film kept resurrecting, though, and is now
considered the first, and one of the greatest, of all vampire movies―the
founder of a dynasty of prints of darkness.
The bloodline has spread from Nosferatu to Hollywood’s Dracula and progeny (1931–48); from Hammer’s Dracula/Horror of Dracula and sequels (1958–74) to versions of Sheridan Le Fanu’s story
“Carmilla” and other lesbian vampires (1970–2020); from the bestselling
novels ’Salem’s Lot and Interview with the Vampire to vampires who have shed their capes, hereditary titles and period
trappings to become assorted smalltown oddballs, addicts, delinquents,
psychopaths, rednecks, fashionistas, gay icons, comedians and even
comic-book heroes (1975–2022).
This book is dripping with stills,
posters, artworks, press books―many of which have not seen the light of
day for a very long time―and is authored by cultural historian and
connoisseur of the Gothic Christopher Frayling, who has been called “the
Van Helsing de nos jours.”
Christopher Frayling (born 1946) is a recognized authority on Gothic fiction and horror movies. His study Vampyres (1978, 1990, 2016) and his classic four-part television series Nightmare: The Birth of Horror (1996) have helped to move Gothic horror from margin to mainstream. He is the author of Frankenstein and Once upon a Time in the West.